8/24/2023 0 Comments Franz west eidos![]() West was drinking heavily at the time but didn’t want to throw away the bottles and so they were “sublimated into art”. It resembles a broken leg ineptly encased in plaster, while protruding from the top like a thirsty mouth is the rim of a beer bottle. ![]() Painted livid green, Trunkenes Gebot, 1988 leans against the wall like a stumbling drunk. Things really took off, though, when West began incorporating items he had lying around the studio – an old bucket or broom, paint brushes, coat hangers, empty paint tins, cardboard tubes and beer bottles.ĭeutscher Humor, (German Humour) 1987 is an old broom shoved into an orifice in a contorted pile of papier maché enveloped in plaster, which says something about the Austrian view of German jokes. Vaguely resembling heads, they are endearingly idiotic. Misshapen plaster and papier maché lumps daubed with random splodges of paint, they are displayed on Lucas’s neat plinths. Next come the Legitimate Sculptures which sit on plinths like “proper” art and are not meant to be touched. Since they are too awkward and heavy to handle with ease, the idea was always more interesting than the actuality, Resembling prezels, elongated sausages or cack-handed implements, these plaster and papier maché Adaptives (Passstücke) are now too fragile to handle, but you are invited to try out some more robust ones made from metal. They wouldn’t have got him anywhere if, in 1974, he hadn’t started making sculptures for people to interact with. West’s early drawings are cartoonish jokes about pissing, voyeurism, sex, and combinations of the three. Her MDF and concrete interventions are extremely elegant, but they also serve to tame the scruffy anarchy of the work. Sarah Lucas was one and, for this retrospective, she has designed the dividing walls and some of the plinths supporting West’s lumpen sculptures. That world was 1970s Vienna, dominated by the Viennese Aktionists whose performances involved a lot of blood, guts and existential angst and were intended to shock.īut West also made friends, especially among younger artists with whom he loved to collaborate.
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